Year 1 – A recap

Year 1 of the artistic research project New Performances – New Tools includes various scenic and reflexive etudes. Adidas Gazelle Heren See below for a recap and follow the links for more information about each project.

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  •   Reflexive etudes Written-based works or thought-exercises, Armani Sweat-shirt new balance blanche asos which strive to test and – as far as possible – build down what I experience as insincere distinctions between theoretical practice and practical theory.   Refleksive etyder for et teaterfelt i endring (opptakt) (Published at scenekunst.no, August 2014) pic 1 Dialektikken mellom det dramatiske og det postdramatiske: 1 (Published at scenekunst.no August 2014) pic 2 Dialektikken mellom det dramatiske og det postdramatiske: 2 (Published at scenekunst.no, Marquette Golden Eagles Jerseys September 2014) pic 3 Dramaturgi og ideologi: hva var og hva er naturalisme? (Published at scenekunst.no, September 2014) pic 4 Dramaturgi & ideologi: hva var og hva er naturalisme? (del II) (Published at scenekunst.no October 2014) pic 5 Texts: The Document as an Intervention (Published at Hordaland Kunstsenter, Tennessee Volunteers Jerseys

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  • kunstsenter.no) pic 6 Verkande handlingar: (re)definering av det (kunst)politiske (Published in the anthology «Scenekunsten og de unge» (Vidarforlaget, December 2014) pic 7 Bevegelser i teatertekstens kampsoner (Published in ”Svolt”: Skrivekunstakademiet i Hordaland Jubilee book) pic 8 Playing a Game of Sorrow: Acting within new Dramaturgical Structures (Published at sceneweb.no 1 June 2014) pic 9 Om å forholde seg postdramatisk til det dramatiske (Puplished in Norsk Shakespeare og teatertidsskrift 1/2015) pic 10   Book Publications pic book 1pic book 2 pic book 4pic book 3 Fanzine Release fanzine   Micro Etudes   Scenic Seminar At Dramatikkens hus, February 2015 sceminar pic The Choir: Musicalization of the text and textualization of music At Khio, Zapatillas Asics January 2015 DUB LEVIATHAN #2 A collaboration between Transiteatret-Bergen and Aust- Agder Fylkeskommune, Air Jordan 11 (XI) At kulturkirken (Arendal), September 2015 DUB 2 pic DUB: LEVIATHAN: #3 At Dramatikkens hus, Nike Air Max 2016 Homme September 2015 DUB 3 pic DUB LEVIATHAN #4-5 Collaboration between Transiteatret- Bergen/ Prosjektprogrammet/Khio, Adidas Superstar Heren grijs At Dramatikkens Hus (Oslo), February 2015 DUB 4-5 pic   Macro Etudes   Kill Them All – The Prague Dub Version prague 1 prague 2 prague 3 prague 4 prague 5 pic DUB Leviathan: A Scenic Album At Cornerteatret Bergen, Bergen International Festival, New Balance 420 homme May to June 2015 DUB Bergen 1 Reviews/ Comments: Dub bergen 2 Norsk Shakesepeare og teatertidsskrift n. 2-3 2015 Teater og sensur: Review by Wenche Larsen DUB bergen 3 Theater der Zeit September 2015 heft n. 9 dub bergen 4 VG – 29 May 2015 Scenic Symposium at Cornerteatret Bergen, Canada Goose Banff during Bergen International Festival, Terrell Suggs Ravens Jerseys June 2015 symposium 1 Tuesday 2nd June Centroids: Audience, Canada Goose Pas Cher text, performer: Tore Vagn Lid Introduction Arpad Schilling Creative Community Games – a theory in practice Follow-up and questions Toril Goksøyr and Camilla Martens Artistic Strategies Follow-up and questions Julian Blaue Performative Practice Follow-up and questions LUNCH Øystein Stene Perspectives of actors/processes Follow-up and questions Gianluca Luimiento Interaction Technique Follow-up and questions Barbro Rønning Introduction to discussion: Placing creativity in the heart of research Longer collective discussion   Wednesday 3rd June Centroids: Room, Canada Goose Parka Expedition sound Tore Vagn lid Introduction Thomas Oberender weil diese Installation kein klassisches Theaterstück ist: Über Narrative spaces (texted in English) Follow-up and questions Eirik Raude and Marius Kolbernstveit Abstract from the pieces «KOLLISJON» and TRANS-FANATISK» Martin Clark ‘I aint the noing uv it I’m jus onle the showing uv it’ – a talk about objects in an exhibition Collective discussion and questions LUNCH Signa Kostler Settling in Uncanny Valley Collective discussion and questions Tora Augestad and Hild Borchgrevink Christoph Marthaler’s Music-Theater – To perform a standstill. Collective Discussion symposium 2 symposium 3 symposium 4 symposium 5 Reviews/ comments: symposium 6 Norsk Shakespeare og teatertidsskrift (Teater og sensur, 2-3/20015) by Wenche Larsen symposium 7 Scenekunst.no – 10/6-2015 by Rudolf Terland Bjørnerem symposium 8 Scenekunst.no – 8/6-2015 by Ragnhild Freng Dale   Seminars and Presentations Searching for music in whats not musikal and for what´s not musikal in music: Education changing Institutions – Høgskolen i Oslo og Akershus, nike shoes sale chennai April 2015 Sounding words Research Seminar Akademi for scenekunst in Fredrikstad,

    29. september 2015
    Skrevet av Ida Blixt Teige

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