New Performances – new Tools

image New Performances – new Tools: Knowledge & Skills for the Post-dramatic Theater A short presentation: That which in the in the recent years has been denoted the “post-dramatic turn (in German: «die postdramatische Wende») in the performative arts, Armani undermine a number of truths that have been automatized and trained through education and practice for decennials. nike femme pegasus Along parameter by parameter arises a crisis of knowledge in the theater, adidas stan smith argent as the new (post dramatic) artistic goals and ambitions collide into established (dramatic) presuppositions and practices. Crazylight Boost Primekni new balance 996 beige homme The result is currently a fundamental – and often mutual – confusion that concerns the core of the understanding of the subject and its skills. If the «the post dramatic turn» changes the standards of what is considered high quality and relevant theater, how will this impact on the concept of the subject and its professionalism? Put differently: When the very goal of the trade – of what should be produced – is displaced, what are the consequences for the craft and the craft person’s self-understanding? By inviting collaboration with central educational institutions, individual artists, GS Air Jordan 7

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  • institutional theaters and free scenic ensembles, ULTRA BOOST Soldes Asics 2017 I wish on behalf of the Academy of Theater/Oslo National Academy of the Arts to seek an answer to these questions through an artistic field work over a period of three years. The project has consistently an artistic and productive goal, Nike Air Jordan 1 Womens
    in which scenic seminars, Air Jordan 4 (IV) practical workshops (etudes), Canada Goose Calgary Jacket free standing shows/performances, demonstrations and larger productions are bound together, conveying in a common professional program supported by reflexions in the form of articles and publications. Adidas Zx 700 Homme among the main partners in the prosject are: Transiteatret-Bergen (Norway), Institut für angewandte Theaterwissenschaft, Fjallraven Kanken Kids UK Giessen (Germany), Florida Gulf Coast Eagles Jerseys cheap jordans uk SISU-percussion ensamble (Oslo, Norway), adidas superstar pas cher belgique Det Norske Teatret, and Neofelis Verlag (Berlin). Parajumpers Femme Californian Joanna Prof. Dr.

    Year 1 – A recap

    Year 1 of the artistic research project New Performances – New Tools includes various scenic and reflexive etudes. Adidas Gazelle Heren See below for a recap and follow the links for more information about each project.

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  •   Reflexive etudes Written-based works or thought-exercises, Armani Sweat-shirt new balance blanche asos which strive to test and – as far as possible – build down what I experience as insincere distinctions between theoretical practice and practical theory.   Refleksive etyder for et teaterfelt i endring (opptakt) (Published at scenekunst.no, August 2014) pic 1 Dialektikken mellom det dramatiske og det postdramatiske: 1 (Published at scenekunst.no August 2014) pic 2 Dialektikken mellom det dramatiske og det postdramatiske: 2 (Published at scenekunst.no, Marquette Golden Eagles Jerseys September 2014) pic 3 Dramaturgi og ideologi: hva var og hva er naturalisme? (Published at scenekunst.no, September 2014) pic 4 Dramaturgi & ideologi: hva var og hva er naturalisme? (del II) (Published at scenekunst.no October 2014) pic 5 Texts: The Document as an Intervention (Published at Hordaland Kunstsenter, Tennessee Volunteers Jerseys

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  • kunstsenter.no) pic 6 Verkande handlingar: (re)definering av det (kunst)politiske (Published in the anthology «Scenekunsten og de unge» (Vidarforlaget, December 2014) pic 7 Bevegelser i teatertekstens kampsoner (Published in ”Svolt”: Skrivekunstakademiet i Hordaland Jubilee book) pic 8 Playing a Game of Sorrow: Acting within new Dramaturgical Structures (Published at sceneweb.no 1 June 2014) pic 9 Om å forholde seg postdramatisk til det dramatiske (Puplished in Norsk Shakespeare og teatertidsskrift 1/2015) pic 10   Book Publications pic book 1pic book 2 pic book 4pic book 3 Fanzine Release fanzine   Micro Etudes   Scenic Seminar At Dramatikkens hus, February 2015 sceminar pic The Choir: Musicalization of the text and textualization of music At Khio, Zapatillas Asics January 2015 DUB LEVIATHAN #2 A collaboration between Transiteatret-Bergen and Aust- Agder Fylkeskommune, Air Jordan 11 (XI) At kulturkirken (Arendal), September 2015 DUB 2 pic DUB: LEVIATHAN: #3 At Dramatikkens hus, Nike Air Max 2016 Homme September 2015 DUB 3 pic DUB LEVIATHAN #4-5 Collaboration between Transiteatret- Bergen/ Prosjektprogrammet/Khio, Adidas Superstar Heren grijs At Dramatikkens Hus (Oslo), February 2015 DUB 4-5 pic   Macro Etudes   Kill Them All – The Prague Dub Version prague 1 prague 2 prague 3 prague 4 prague 5 pic DUB Leviathan: A Scenic Album At Cornerteatret Bergen, Bergen International Festival, New Balance 420 homme May to June 2015 DUB Bergen 1 Reviews/ Comments: Dub bergen 2 Norsk Shakesepeare og teatertidsskrift n. 2-3 2015 Teater og sensur: Review by Wenche Larsen DUB bergen 3 Theater der Zeit September 2015 heft n. 9 dub bergen 4 VG – 29 May 2015 Scenic Symposium at Cornerteatret Bergen, Canada Goose Banff during Bergen International Festival, Terrell Suggs Ravens Jerseys June 2015 symposium 1 Tuesday 2nd June Centroids: Audience, Canada Goose Pas Cher text, performer: Tore Vagn Lid Introduction Arpad Schilling Creative Community Games – a theory in practice Follow-up and questions Toril Goksøyr and Camilla Martens Artistic Strategies Follow-up and questions Julian Blaue Performative Practice Follow-up and questions LUNCH Øystein Stene Perspectives of actors/processes Follow-up and questions Gianluca Luimiento Interaction Technique Follow-up and questions Barbro Rønning Introduction to discussion: Placing creativity in the heart of research Longer collective discussion   Wednesday 3rd June Centroids: Room, Canada Goose Parka Expedition sound Tore Vagn lid Introduction Thomas Oberender weil diese Installation kein klassisches Theaterstück ist: Über Narrative spaces (texted in English) Follow-up and questions Eirik Raude and Marius Kolbernstveit Abstract from the pieces «KOLLISJON» and TRANS-FANATISK» Martin Clark ‘I aint the noing uv it I’m jus onle the showing uv it’ – a talk about objects in an exhibition Collective discussion and questions LUNCH Signa Kostler Settling in Uncanny Valley Collective discussion and questions Tora Augestad and Hild Borchgrevink Christoph Marthaler’s Music-Theater – To perform a standstill. Collective Discussion symposium 2 symposium 3 symposium 4 symposium 5 Reviews/ comments: symposium 6 Norsk Shakespeare og teatertidsskrift (Teater og sensur, 2-3/20015) by Wenche Larsen symposium 7 Scenekunst.no – 10/6-2015 by Rudolf Terland Bjørnerem symposium 8 Scenekunst.no – 8/6-2015 by Ragnhild Freng Dale   Seminars and Presentations Searching for music in whats not musikal and for what´s not musikal in music: Education changing Institutions – Høgskolen i Oslo og Akershus, nike shoes sale chennai April 2015 Sounding words Research Seminar Akademi for scenekunst in Fredrikstad,

    29. september 2015
    Skrevet av Ida Blixt Teige

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